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Synopsis
The Great British Bake Off Musical brings the beloved television phenomenon to the stage in a joyful, warm-hearted celebration of baking, friendship, and self-discovery. Set inside the iconic Bake Off tent, the story follows a group of amateur bakers competing week by week in the nation’s favourite baking competition. As the contestants whisk, knead, and prove their way through
Signature, Technical, and Showstopper challenges, personalities begin to shine just as brightly as the pastries.
Each baker arrives with their own hopes, insecurities, and reasons for entering the competition. Some are chasing lifelong dreams, others are searching for confidence, connection, or a fresh start. Under the watchful eyes of the judges and the cheerful encouragement of the presenters, tensions rise alongside the dough as the bakers battle time limits, collapsing cakes, and the fear of the dreaded “soggy bottom.”
Packed with catchy original songs, witty humour, and touching emotional moments, the musical captures everything audiences love about the television series: kindness, creativity, and community spirit. Alongside the comic mishaps and baking disasters are heartfelt stories about family, friendship, resilience, and believing in yourself.
With colourful choreography, larger-than-life baking challenges, and plenty of theatrical sweetness, The Great British Bake Off Musical serves up a feel-good theatrical experience for audiences of all ages. Ultimately, it is a story about ordinary people achieving extraordinary things — one bake at a time.
Review
Thalian Theatre Company The Great British Bake Off Musical
Thalian Theatre Wednesday 9th June 2026
Director – Darren Barsby
Musical Director – Chris Burrett
Choreographer – Courtney Cole
The Great British Bake Off Musical is a musical based on the TV programme of the same name.
Darren Barsby, the director, had clearly thought carefully about the staging of this production. There are limitations to the Thalian stage, but Darren adapted the locations in the script to work for the space — and as normal as that sounds, not all directors think like that. The locations were not as vital as the characters’ stories, and that is what I walked out remembering. Good job, Darren.
Chris kept the band tight and had obviously worked with the company on their harmonies; they were well defined.
Courtney Cole created some lovely, choreographed moments. When there is a larger cast, sight lines become important, and unfortunately some of the cast were masked in the bigger numbers, especially in the opening.
There were clever uses of the chorus, with make-up ladies and camera and sound crew being on stage. This meant they were there to help with the vocals, and it also worked in the context of what this musical is about.
Gemma, played by MJ Scott, is for me the heart of the show. She is one half of the love story, and I think the audience goes on a journey with her. We can all relate to her insecurities and nerves. MJ has a fabulous voice, and she not only showed her range but also her ability to tell a story through song.
Ben, the other half of the love story, was played by Neville Stratton. His relationship with his daughter Lily (Millie Arnold in the performance I saw) was believable and heart-warming. Millie was excellent as Lily — a beautiful solo and a confident performance.
The confident and win-at-all-costs Izzy was played by Emma Gilby. Another strong character, she came across as someone with an ego who had to win, no matter what.
Gemma Capon took on the role of Francesca. She has one of the most sensitive storylines in the show, and I must commend the society, Darren, and Francesca for not only ensuring that warnings were present around the building, but also for portraying the subject with care. It was a poignant moment, beautifully handled and sung.
Kay Ward has a stunning voice and playing Babs she got to show this off in style during Babs’ Lament — a great number.
Harrison Huntley took on the role of the vegan cook Dezza. He may have been eliminated early, but Dezza makes his presence felt throughout the rest of the show.
One of the best performances came from Chris White as Russell. I smiled every time he appeared. He made the most of every moment and earned many laughs — a lovely performance.
Jay Puranik played Hassan, and he gave a very passionate performance. It was obvious how much this part meant to him, and it came across to the audience.
The hosts of Bake Off, Kim and Jim, were played by Jenny Lewin and Sean Bailey. Their energy as a pairing was good, and they worked well together. I could understand why they faced the camera; however, there were moments when they masked each other due to sight lines — though this may have been my viewpoint.
The judges, Phil Hollinghurst (Pip Grey) and Pam Lee (Mary Goodfellow), were good takes on their television counterparts. Pip’s Liverpudlian accent was strong for most of the show, and I enjoyed Slap It Like That — he gave it a lot of energy and gusto. Mary, as Pam, was a great take on Prue Leith. They worked well as a team, supporting and bouncing off each other.
The set was well designed, with the benches and staging making it feel like we were inside the tent. The set helped with transitions and kept the pace quick and tight.
Having never seen this musical before, I was really looking forward to it, and The Thalian Theatre Company have proved they are not afraid to take on new shows — and do them well!
Scott Welch
NODA Representative – NODA East District 9
NODA owns the intellectual Property Rights to the content of all show reports written by NODA Councillors, Reps and Assistant Reps

| Gemma | MJ Scott |
| Izzy | Emma Gilby |
| Ben | Neville Stratton |
| Francesca | Gemma Capon |
| Babs | Kay Ward |
| Dezza | Harrison Huntley |
| Russell | Chris White |
| Hassan | Jay Puranik |
| Jim | Sean Bailey |
| Kim | Jenny Lewin |
| Pam Lee | Mary Goodfellow |
| Phil Hollinghurst | Pip Grey |
| Lily (Days 4 & 5) | Isabella Atkinson |
| Lily (Days 1 to 3) | Millie Arnold |
| Ensemble | |
| Louise Bateman | |
| Laura Brendish | |
| Chloe Deamer | |
| Alison Downes | |
| Annette Leishman | |
| Martin Lester | |
| Aiysha Mirza | |
| Erin Nash | |
| Bex Rose | |
| Mandy Sayers | |
| Vikki Shaw | |
| Colleen Town |
| Director | Darren Barsby |
| Musical Director | Chris Burrett |
| Choreographer | Courtney Cole |
| Production Manager | Zara Stuart |
| Costumes | Amy Knowles |
| Emma Gilby | |
| Jack Johnson | |
| Louise Bateman | |
| MJ Scott | |
| Set Design and Build | Stephanie Dunn |
| Darren Barsby | |
| Set Build | Andy Barker |
| Harrison Huntley | |
| Jack Johnson | |
| Martin Lester | |
| Lighting | Andy Barker |
| With thanks to Clifton Hoyle and Nick Mogg | |
| Sound | Will Mitchell |
| Technical Assistant | Jasper Ghumania |
| Stage Managers | Ruth Johnson |
| Vinni Clemmens | |
| Props | Vanessa Baker |
| Programme | Martin Lester |
| Treasurer | Ian McInally |
| Keyboard 1 / MD | Chris Burrett |
| Keyboard 2 | Jemma Graham |
| Woodwind | Tanisha Santiago |
| Guitar | Kester Tunstall |
| Bass | Jon Kirton |
| Percussion | Sami Alsindi |
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