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Synopsis
The S.S. American, sailing from New York to England, carries an unusual group of passengers. Included amongst them are a gangster (Moonface Martin), a wealthy debutante and her mother (Hope and Evangeline Harcourt), a night-club singer (Reno Sweeny), and a wealthy New York businessman and his stowaway assistant (Elisha Witney and Billy Crocker). It turns out that Hope is Billy’s long-lost love. Unfortunately, she is now engaged to a wealthy Englishman, Lord Evelyn Oakleigh. After a series of comedic happenings, Billy manages to win back Hope. Meanwhile, Billy’s friend, Reno, manages to seduce and win Lord Evelyn. All this happens while Moonface Martin attempts to escape the law and Hope’s mother strives to maintain her social status.
Anything Goes was first envisioned by producer Vinlon Freedley while hiding out aboard a fishing boat in the Gulf of Panama after fleeing the country to escape creditors. His idea was based on the premise of an ocean liner facing the threat of a possible shipwreck. He returned to New York and, after paying off his debts, began assembling his dream team: Cole Porter, Guy Bolton, P.G. Wodehouse, Ethel Merman. Soon Freedley had a script that he felt sure would reverse his sagging fortunes. Then, with rehearsals just about to begin, the S.S. Morro Castle went down off the coast of New Jersey. Over 125 passengers lost their lives in the highly publicised disaster. Anything Goes, Freedley decided, would have to be rewritten.
Anything Goes did not actually appear as the title until this second draft and referred to the desperation with which the show was put together. The rewrite retained most of the same characters, but did away with the idea of the shipwreck. The plot revolved around night-club singer Reno Sweeney (Merman), her pall Billy Crocker, Crocker’s debutante-love Hope Harcourt, Moon-Face Mooney, and Public Enemy No.13 who slips onto the ship to avoid the FBI.
Anything Goes opened at the Alvin Theatre on November 21, 1934 and turned out to be the fourth longest running musical of the 30s. In 1987. it was revived at the Vivian Beaumont Theatre with Patti LuPone in the leading role and a revised book by Timothy Crouse and John Weidman.
Review
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| Rello Sweeney | Amanda Maxwell |
| Hope Harcourt | Alison Mills |
| Evangeline Harcourt | Nora Jacksoll |
| Lord Evelyn Oakleigh | David Jackson |
| Elisha Whitney | Briall King MBE |
| Billy Crocker | Peter Sayers |
| Moonface Martin | Terry Cull |
| Erma | Tammy Wall |
| Captain | Alan Bradbury |
| Purser | Matthew Greenbank |
| Henry T Dobson | Mark Mortoll |
| Luke | Harry Lockyear |
| John | Phillipa White |
| Purity ) | Shevaughn Seedall |
| Chastity ) Angels | Hannah Britten |
| Charity ) | Kate Muir |
| Virtue ) | Samantha McRae |
| Reporter No 1 | Tamsin Godwin-Connelly |
| Reporter No 2 | Jackie Radford |
| Passenger | GilIiall Shaw |
| Passenger | Colleen Town |
| Passenger | Alison Lilly |
| Passenger | Kayleigh Raille |
| Sailor | Nick Baker |
| Fred the Barman | Peter Dllnha |
| Prodution Manager | Peter Dunham |
| Production Secretary | Amanda Maxwell |
| Costumes | Westcliff Costumes |
| Props | Vanessa Baker |
| Props | Katherine Brassett |
| Stage Manager | John Marsh |
| Ass. Stage Manager | Frances Green |
| Stage Crew | Kathleen Mather |
| Stage Crew | Christian Baker & Tony Lutkin |
| Lighting Design | Mike Try |
| Lighting Operator | Jon Lloyd & Brian Rogers |
| Lighting Operator | Sue Welch |
| Sound Operator | Allex Dugdale |
| Front of House | Dot Lutkin |
| Programme Design | Terry Cull |
| Scenery | Scenic Property Hire |
| For Campus West Theatre | |
| Manager | Mark Woolman |
| Stage Director | John Lloyd |
| Reeds | Jane Archer |
| Charles Rowe | |
| Martin Cook | |
| Trumpet | Tim Welch |
| Trombone | Aidan Collins |
| Bass | Peter Neville |
| Percussion | Chris Gray |
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