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Synopsis
This musical celebrates the struggle by women for equal pay. The scene is 1968 at the newly refurbished Ford plant in Dagenham employing 55,000 men and 187 women. The plant is manufacturing the new Ford Cortina Mk 1. It is just about to sta rt manufacturing the Mk2 Cortina and the Escort Mkl. However, the whole site undergoes a new pay grading structure and during this process the 187 women sewing machinist are downgraded to unskilled. At this time it is normal working practice to pay women considerably less than men for doing the same job. The women machinists are very unhappy about the unskilled regrading as they regard themselves as having considerable skill in what they do. A chain of events occur, resulting in a full all out strike by the women that brings the Ford plant to its knees. Very high tension results between the men and women but this grading battle soon turns into a battle for Equality … Equal Pay … Rights not Privileges. This is a true story and these are the people who made history for women’s rights but something that is still not completely sorted out even to this day!!
Review
Review by Vicki Avery
Noda District 9
Despite performing the specialized task of sewing upholstery for car seats, women were classified as unskilled labour and paid much less than men. Encouraged by a sympathetic union representative, the women’s grievances are notified to Ford. The meeting goes badly and, outraged by the company’s lack of respect for them, Rita leads her colleagues to strike. This was a good choice for the company.
Katherine Foxworthy in her portrayal of ‘Rita O’Grady’ gave an outstanding performance reflecting how life had changed from domesticity at home to the reluctant though feisty spokesperson fighting for equal pay. There was a marked difference between both sides of her character which should be commended.
Clive Dancey as her husband “Eddie O’Grady’ was equally strong and the chemistry between them in tenderness and battle was a powerful one. Vocals were good and I particularly enjoyed his take on “The Letter”.
The first of a number of scene changes flowed well and introduced us to a Factory environment and a men’s chorus singing ‘Made in Dagenham’. This was quickly followed by a change to the sewing room and a very strong line-up for the girls who were at the heart of this historic event.
An appealing musical score & orchestra, ably controlled by Peter Farrell, contained some major harmony pieces.
“This is What We Want”” featuring bold brassy women none more so than ‘Beryl’(Gillian Shaw), with great effect demonstrating throughout her performance a special vocabulary – or lack of it – Yes, in the script but language that became a bit gratuitous.
‘Sandra’ (Stevie Gibbs), ‘Cass’ (Alison Downes) and with precise timing and in comedy mood ‘Clare’ (Tammy Wall), performed with the women “Wossename” which was excellent.
In depth and emotion ‘Connie’ (Louise Bateman) gave a convincing and emotional performance as the union representative character, losing her battle with cancer.
‘Lisa Hopkins’ (Sarah Gennoe) was every bit the upper-class wife of Ford’s UK boss in befriending the girls with sympathy for their plight but in dress and manner despite life poles apart.
In style and characterization, the men on the factory floor too many to mention individually were strong and powerful are to be commended for their contribution to the production.
‘Harold Wilson’ (Peter Sayers) in character, complete with pipe was brilliant as were his aides in the bowler hats song and dance routine – “Always a Problem”. However, at times the accent was not secure and one had to listen extra hard to pick up the nuances of the Yorkshire brogue.
As ‘Mr. Hopkins’ the Managing Director of Ford UK (Tim Spink) played the character with conviction. Under pressure yet covering it well.
Based on the white paper in “Place of Strife” the equal pay act was promoted and driven through by ‘ Barbara Castle’ very capably played here by Alison Gibbs as a no nonsense down to earth Secretary of State for employment. The scene in the House of Commons when she failed to secure agreement for a 92% towards equal pay worked well.
Ford of course is an American company and ‘Mr. Tooley’ (Barney Shergold) along with the ensemble in “This is America” presented a fast-moving opening to the second act. Again, unfortunately the accent was not secure and I sensed that the actor felt somewhat uncomfortable delivering some of his line. An accent and voice coach might have helped here.
There was great humour, powerful singing with pace and energy in the well-choreographed routines and raw emotion demonstrated by Darren Barsby as ‘Monty’ in his wonderful tribute to Connie. In “The Letter” too ‘Eddie’ produced a superb vocal performance.
Oliver and Imogen did well as the O’Grady children and it was evident that here we had two young star of the future. Congratulations to you both.
This was a big set, big story production with all involved making their contribution towards a successful show. There were props and scenery that made everything real and believable. I loved the launch of the Cortina1600E.
Well done all and thank you for your hospitality.

| Rita O’Grady (Eddie’s Wife) | Katherine Foxworthy |
| Eddie O’Grady (Rita’s husband) | Clive Dancey |
| Beryl (Machinist with a big gob!!) | Gillian Shaw |
| Connie Riley (Shop Steward) | Louise Bateman |
| Sandra Beaumont (Sexy Machinist) | Chloe Winter |
| Clare (Ditsy machinist) | Tammy Wall |
| Cass (Almost on the game machinist) | Alison Downes |
| Monty (Union Shop Steward – women) | Darren Barsby |
| Sid (Union Shop Steward – men) | Stuart Carnegie |
| Bill (Union Shop Steward – men) | Simon Parr |
| Stan (Union Shop Steward – men) | Martin Lester |
| Barry (Factory Worker that all women want) | Joe Hogan |
| Mr Hopkins (Di rector- Ford Dagenham) | Tim Spink |
| Lisa Hopkins (Wife of Mr Hopkins) | Sarah Gennoe |
| Harold Wilson (Prime Minister) | Peter Savers |
| Barbara Cast le (Minister of Transport) | Alison Gibbs |
| Tooley (American Boss) | Barny Shergold |
| Graham O’Grady (Rita/Eddie’s son) | Oliver Johnson |
| Sharen O’Grady (Rita/Eddie’s daughter) | Imagen Carnegie |
| Gregory Hubble (Personnel Director) | Ray Beckman |
| Mr Buckton (Slightly Sadistic School teacher) | Vincent Clemmens |
| Chubby Chuff (Comedian) | Ray Beckman |
| Cortina Man (Singer) | Darren Barsby |
| Minister Aides | Vincent Clemmens, Tim Spink & Martin Lester |
| Ensemble | Vicki Collins, Lauren Ryan, Colleen Town, Angela Monaghan, Claire Walker, Alison Lilly, Stevie Gibbs, Maryann Scott, Devi Smart & Stephanie Dunn. |
| Gymnasts | Masie Currant & Gwen Currant |
| Production Director | Amanda Savers |
| Production Manager | Avril Robinson |
| Choreography | Amanda Savers& Tammy Wall |
| Musical Director | Peter Farrell |
| Stage Manager | Jackie Radford |
| Assistant Stage Manager | Adam Beckman |
| Stage Crew | Chris Blythe, Nick Baker Richard Griffiths & India Mason-Mills |
| Properties Manager | Fiona Parsons |
| Lighting Design | Cameron Biggs |
| Sound Operator | Richard Griffiths |
| Costumes | Tammy Wall & Louise Bateman |
| Hawthorne Theatre Manager | Mark Woolman |
| Hawthorne Theatre Technical Manager | Julian Brooks |
| Front of House | Diane Cull, Carol Beckman, Elle Howe, Ann Clemmens, Jane Thorn & Mike Smith |
| Chaperones | Yvonne Bartlett & Sheila Mog |
| Conductor | Peter Farrell |
| Trumpet | Tim Welch |
| Reeds | Nathan Harding & Sue Pettitt |
| Bass Guitar | Will Stringer |
| Keyboard | Peter Farrell |
| Percussion | Ben Falkiner |
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