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Synopsis
Charity Hope Valentine is the girl, or more accurately the woman, employed as a hostess at a New York dance hall in the late 1960’s. Inside the Fan-Dango Ballroom Charity is companioned with streetwise hostesses who often share their cynical advice about love and occasionally their long abandoned dreams while Herman (the dance-hall manager the girls affectionately refer to as “Der Fuhrer”) makes sure the customers get what they’ve paid for. Outside the dance hall, Charity’s innocent vulnerability is repeatedly taken advantage of by con artists, panhandlers, and even a boyfriend who pushes her into a lake while stealing her life’s savings. But our heroine does manage a fleeting glimpse of fame when she unexpectedly spends the night in the closet of the Italian screen idol, Vittorio Vidal while he reconciles with his beautiful jet-set girlfriend.
Charity’s “real” chance for happiness comes when the fickle finger of fate traps her in an elevator with a claustrophobic tax accountant (Oscar Lindquist) who also seems to be in search of … “something”. Charity joins Oscar as he attends a service at the Rhythm of Life Church led by the Reverend Daddy Brubeck, the spiritual leader of a former San Francisco jazz group turned religious cult. Romance ensues only to falter when Oscar discovers Charity’s true occupation and dating history. Through trials and tribulations, sweet Charity continues searching for love, wide-eyed and hopeful.
Review
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| Charity Hope Valentine | Tammy Wall |
| Helene | Kate Clementson |
| Nicki | Amanda Maxwell |
| Carmen | Kate Muir |
| Suzanne | Susan Hawkins |
| Betsy | Shevaughn Seedal |
| Rosie | Caroline Fitch |
| Herman | Peter Sayers |
| Ursala March | Susan Hawkins |
| Vittorio Vidal | Martin Desmond |
| Oscar Lindquist | Chris Ryde |
| Daddy Brubeck | Mark Morton |
| Assistants to Brubeck | David Jackson, Harry Lockyear |
| Doorman | Mark Morton |
| Marvin | David Jackson |
| Manfred & Barney | Brian King MBE |
| Charlie Dark Glasses | Peter Sayers |
| Receptionist | Gill Shaw |
| Chorus | Gill Shaw |
| Jackie Radford | |
| Gail Elliott | |
| Annie Rumney | |
| Vicky Collins | |
| Rui Shang | |
| Nick Baker |
| Production Secretary | Amanda Maxwell |
| Stage Manager | Peter Dunham |
| Ass. Stage Manager | Frances Green |
| Prompt | Angela Dunham |
| Stage Crew | John Marsh, Vin Clemmens |
| Stage Crew | Rod Chillingworth, Paul Panter |
| Stage Crew | Norman Barr |
| Costumes | Elstree Productions & Harlequin And Company |
| Props | Vanessa Baker |
| Props | Amanda Chick |
| Lighting Design | Mike Try |
| Lighting Operator | Jon Lloyd |
| Sound | Alison Mills |
| Front of House | Dot Lutkin & The Company |
| Programme Design | Vin Clemmens |
| Set Design | Stagesets London |
| For Campus West Theatre | |
| Manager | Mark Woolman |
| Stage Director | John Lloyd |
| Reeds | Martin Cook, Derek Kirby, Clare Taylor |
| Trumpet | Tim Welsh, Euan Tees |
| Trombone | Aidan Collins |
| Bass Peter | Neville |
| Percussion | Chris Gray |
| Keyboard Peter | Farrell |
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